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Conversations with Rose Falcon

Today we’d like to introduce you to Rose Falcon.

Hi Rose, can you start by introducing yourself? We’d love to learn more about how you got to where you are today?
I started in the music business really young. I signed my first record deal with Columbia Records when I was 14, so I essentially grew up making records, writing songs, and learning the music business as I went. After my time as an artist at Columbia and later at Universal/Showdog, I became a staff songwriter and eventually landed at Curb Word Publishing, where I’m still signed today.

Over the years, I’ve been lucky enough to have songs recorded by artists including Eric Paslay, Faith Hill, Lady A, Rodney Atkins, Wyatt Flores, Chase Matthew, Redferrin and others. I had my first #1 as a songwriter with Eric Paslay’s “Friday Night,” and my songs have also found their way into film and television, including Country Strong and The Hunting Wives. Songwriting has always been the constant for me. I love getting to tell other people’s stories, and I think doing that for so many years has helped me understand my own voice better too.

I’ve never completely stopped being an artist. I’ve released music on my own and as part of Rod + Rose with my husband, Rodney Atkins, but this new chapter feels different. This is the first time I’ve released music without a label, and that was a very intentional decision. I’ve spent most of my life in the traditional music business, and I’m incredibly grateful for everything that experience gave me, but I got to a place where I wanted to make music without asking where it fit, who it was for, or whether someone else thought it made sense. I wanted to choose the songs I loved, make them the way I heard them, and put them into the world because they felt true to me.

That freedom has brought me back to a really pure place creatively. I’m currently releasing singles that will lead into an EP in late 2026 or early 2027, and for the first time in a long time, I’m not trying to predict what happens next. I’m just making music I believe in and letting it find its way.

Music has been the through-line of my whole life. I started doing this as a kid, and after all these years, I still love a great song as much as I ever did. In a strange way, this independent chapter feels less like starting over and more like coming home.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
It definitely hasn’t been a smooth road. When you start your career at such a young age, as I did, you naturally think success is going to be a straight line. I learned pretty quickly that this business doesn’t work that way. I’ve had record deals end, projects that didn’t become what I hoped they would, songs I believed in that never found a home, and plenty of seasons where I wondered what my place in the industry was.

One of the harder things has been learning not to measure my life or my worth by the momentum of my career. The music business can make you feel like you’re constantly being graded. There’s always another chart, another number, another person deciding whether something is good enough. I’ve had seasons where doors were opening everywhere and seasons where it felt like nothing was moving at all.

But I think those quieter seasons gave me something I couldn’t have learned from success. They made me figure out why I was still doing this. And the answer was always the same: I really love songs. I love writing them, I love making records, and I love the way a song can make somebody feel understood.

At this point, I’ve stopped expecting the road to be straight. Some of the things I thought were setbacks ended up taking me exactly where I needed to go. I think that’s a big part of why releasing music independently now feels so meaningful. I’m less interested in proving something and much more interested in making something I’m proud of.

Alright, so let’s switch gears a bit and talk business. What should we know about your work?
At my core, I’m a songwriter. I’ve spent most of my life writing songs, both for myself and for other artists, and I think what I’m best at is finding the human part of a story.

I’m incredibly proud of having a #1 with “Friday Night,” and also of the fact that I’ve been able to make a living in the music business for 28 years without sacrificing having the family I always wanted. I have three amazing boys and a husband who is not only my partner in life, but also someone I get to make music with. I’m proud that I’ve been able to build a career around the life I wanted, rather than having to choose one or the other.

If there’s anything that sets me apart, I hope it’s that I’ve never lost my love for the song itself. Record deals, cuts, hits, disappointments and a lot of life in between, I’m still chasing the same feeling: writing something true enough that somebody else hears themselves in it. I don’t really ask myself, “Is this a hit?” anymore. I ask, “Is it true?” And that’s probably the best description of the work I want to make now.

Can you talk to us a bit about the role of luck?
I’ve never really thought of my life in terms of luck. I believe much more in faith, perseverance, and showing up. There have certainly been moments when the right person heard the right song at the right time, and you could call that luck, but I tend to see those moments as God’s timing.

I also believe you have to be there for those moments to find you. You have to keep writing when nobody’s asking for another song, keep showing up when things aren’t going your way, and keep believing there’s a purpose in seasons that don’t make sense yet.

Looking back over almost three decades in music, some of the things that felt like bad luck at the time ended up redirecting my life in ways I’m incredibly grateful for. So I’d probably say faith has played a much bigger role in my life than luck. I trust God with the things I can’t control, and I try to show up and do the work with the things I can.

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