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Conversations with Amy Speace

Today we’d like to introduce you to Amy Speace.

Amy Speace

Hi Amy, so excited to have you with us today. What can you tell us about your story?
I started playing professionally in acoustic clubs in NYC like The Living Room, The Bitter End, and the Sidewalk Cafe. A few years later, I got a manager who encouraged me to get out on the college circuit and start doing short tours in NY State. He introduced me to some artists who had a following in different cities, so I would open for them for no money but for the experience.

With the help of a few generous fans, I financed my first record, “Fable,” which came out in 2000 to great reviews in Time Out New York and I started going to music conferences. At the SXSW conference in 2005, Judy Collins’ manager heard me. At the time, Judy was starting her record label and I was signed on the spot. Judy put out my first international release, “Songs For Bright Street,” on her Wildflower Records label and I was touring with her and opening shows for Ian Hunter and Alejandro Escovedo in the UK.

I put out one more record with Wildflower and then was signed to Thirty Tigers in 2009, I moved to Nashville to take part in the songwriting community and I changed to a Nashville-based manager. I had been touring full-time for a few years by now. In 2020, my song “Me and the Ghost of Charlemagne” won “International Song of the Year” by the Americana Music Association (UK). I am at work on my Fall 2024 release, “The American Dream”.

Would you say it’s been a smooth road, and if not, what are some of the biggest challenges you’ve faced along the way?
Money has always been a struggle. I started in NYC, playing NYC clubs, and I’d have to have a day job (or two) to pay the bills and my student loads. Even with touring full-time, NYC is expensive and I could never make enough money to not have a side job. In 2009, I moved to Nashville, where the expense of living was much lower, so I could rent (and eventually buy) a house and pay all my bills through my music.

Also, I sit in between genres a bit: Americana/Folk/SingerSongwriter. I’ve been told by many industry reps that I’m kind of out of time. I keep going because I’ve built a large international following and I keep making a living and getting better and better. So far I’m here to stay

Appreciate you sharing that. What else should we know about what you do?
I’m a singer and a songwriter. I primarily consider myself in the singer-songwriter/folk world. I’m most proud of the fact that I make a living from my art.

What sets me apart? I think my songs do. I stand behind them. It took a while, I listened to my first few records and there are some good songs and some cringe-worthy songs, but I think moving to Nashville was like a master class in writing and I got better and better.

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Image Credits

Neilson Hubbard

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