Today we’d like to introduce you to Borneo Sedeu Nishevikj.
Hi Borneo, please kick things off for us with an introduction to yourself and your story.
I’ve always been drawn to art and storytelling. Growing up, I came from a theater and music background – performing in and directing plays while studying piano, music theory, and later jazz guitar. That early exposure to music, performance, and theater eventually led me to film, where I found a medium that brought together everything I loved about art and the creative process.
I earned my Bachelor of Arts in Film from Jacksonville University, followed by a Master of Fine Arts in Visual Arts with a concentration in film. My time there helped me strengthen my technical craft and deepen my understanding of how meaning and emotion come together through cinema.
Since then, I’ve been working full-time in the film industry as a first assistant director and director for film and television across the nation. I’ve had the opportunity to collaborate on projects for networks such as Hallmark, Lifetime, Prime Video, Hulu, and ABC, among others. Some of the movies I’ve recently worked on include From Shattered Vows (2025), Murder at the Derby (2025), and Just Breathe (2025). Each project has continued to deepen my appreciation for collaboration and the art of bringing a story to life on set.
Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
I wouldn’t say it’s been a smooth road, but I think that’s part of what makes a career in film meaningful. Early on, I had to learn how to navigate stretches between jobs, tough production days, and the pressure that comes with leading a crew and keeping a set moving.
There were times when things didn’t go as planned – a location fell through, the weather didn’t cooperate, or we were racing the clock – but those moments taught me how to stay grounded and resourceful. Over time, I realized that the chaos is part of the creative process. You learn to adapt, to trust your team, and to find calm in the middle of the storm. Looking back, I’m grateful for the challenges because they shaped the way I lead and collaborate today.
Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I work as a director and first assistant director in film and television, and I’ve always been drawn to the intersection of creative vision and organization – that space where art meets structure. As a 1st AD, I’m responsible for bringing a director’s vision to life by managing the logistics, schedule, and communication that make a set run smoothly. It’s about creating an environment where every department can do their best work while keeping the creative energy flowing.
I think what sets me apart is my balance between artistry and precision. Coming from a background in theater and music, I naturally approach filmmaking with a sense of rhythm, timing, and collaboration. I care deeply about the atmosphere on set – maintaining both efficiency and morale.
I’m proud of the range of projects I’ve been able to work on, from intimate character-driven films to large-scale network productions. Each one challenged me in a different way, but what I’m most proud of is the trust I’ve built with the people I work with. Filmmaking is a team effort, and knowing that I can help bring structure and calm to something as dynamic as a movie set – that’s what really motivates me.
Is there anyone you’d like to thank or give credit to?
I’ve been really fortunate to work alongside some incredible people who’ve shaped both my career and the way I approach filmmaking. Early on, I had professors and mentors who encouraged me to think deeply about the “why” behind every creative choice – that mindset has stuck with me ever since.
In the industry, I’ve been lucky to collaborate with and learn from producers and department heads who not only trusted me with responsibility but also showed me what strong leadership looks like under pressure.
Beyond mentors, I also owe a lot to the crews I’ve worked with. A film set only works when everyone is giving their all, and I’ve had the privilege of working with teams that bring dedication, humor, and creativity to every day of production. It really does take a village, and I’m grateful to be surrounded by people who share that same passion for storytelling.
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