Today we’d like to introduce you to Lindsi Odum.
Alright, so thank you so much for sharing your story and insight with our readers. To kick things off, can you tell us a bit about how you got started?
My love for photography started way back in middle school when my Granddad handed me my first “big camera”—a Minolta film camera. That little gift lit a spark that never went out. I ended up taking a film photography class in high school and completely fell in love with the process—rolling my own film, developing it in the darkroom, and watching those images come to life by hand.
Fast forward to 2018: I was living in Phoenix and itching to grow my skills. I reached out to a local musician and asked if I could shoot one of his shows just to get some experience. I had no idea that night would change everything. Not only did it launch my journey into concert photography—it’s also how I met the person I’d eventually marry in 2024!
Since then, I’ve photographed more than 50 artists across multiple states and venues, even spending two and a half weeks on tour with Halocene and AlphaMega. Somewhere along the way, I also fell in love with music journalism. From 2019 to 2022, I wrote for Cowboy Lifestyle Network, and now I get to combine both passions as a photographer and writer for Melodies n’ Memories Music Media.
From stage lights to tour buses, my camera has taken me on one amazing ride—and honestly, I feel like I’m just getting started.
We all face challenges, but looking back would you describe it as a relatively smooth road?
Concert photography is no joke—it’s an incredibly competitive world, and the road definitely hasn’t been smooth. Honestly, finding the right publication to work with was the easy part. The real challenge? Getting access to the shows themselves.
Every single concert I shoot starts with a pitch or an application—and then a lot of waiting. Getting a media pass isn’t as simple as showing up with a camera. It means reaching out to the right people—sometimes the venue, sometimes tour management, a PR team, or even a major promoter like Live Nation. Every artist and venue has its own process, and approvals are never guaranteed.
For the bigger shows, I usually have to submit a request through the artist’s PR team or label weeks in advance. If they’re partnered with a promoter like Live Nation, I might have to go through their media system instead. Some requests never get a response, some get denied, and sometimes I’ll get approved an hour before the show starts—it’s all part of the hustle. At the end of the day, it’s not just about getting credentials; it’s about proving that my coverage actually adds value for the artist and their team.
And even once the show’s over, the work isn’t. After the final encore, there’s still hours of editing, writing reviews, meeting deadlines, and sometimes driving home late at night. It’s fast-paced, unpredictable, and takes a lot of persistence—but I wouldn’t trade it for anything.
Because when I’m standing in that photo pit, camera in hand, and the lights hit just right—that moment makes every bit of the chaos worth it.
Alright, so let’s switch gears a bit and talk business. What should we know about your work?
My work is all about blending storytelling with visual artistry. I specialize in concert photography, music journalism, and branding photography—and through Melodies ‘n Memories Music Media, I get to bring music to life both on stage and on the page. Whether I’m in a packed festival crowd or a small local venue, my goal is always the same: to capture the emotion, energy, and connection that make live music so unforgettable.
Outside the music scene, I also run Lindsi Rian Creative, where I help artists, businesses, and brands craft strong, authentic visual identities. From branding sessions for small businesses to creative content that stops the scroll, I love helping people tell their stories in a way that truly stands out.
What makes my approach a little different is that I don’t just focus on one side of storytelling—I merge photography and writing. While most photographers capture moments and most writers describe them, I do both. That allows me to create a fuller, more immersive story—whether it’s a concert review that makes readers feel like they were there, or a branding shoot that visually captures what someone’s all about.
I’m incredibly proud of the journey that’s brought me here. I’ve had the chance to photograph and review artists like Black Stone Cherry, The Used, Jake Owen, Simple Plan and so many more; hit the road on tour with musicians; and collaborate with brands that share my creative vision. Every step has been fueled by passion, persistence, and a genuine love for storytelling.
At the end of the day, that’s what drives me—to create work that connects, moves people, and leaves a lasting impression.
Any big plans?
Looking ahead, I’m excited to keep growing creatively and continue working with more artists, musicians, and brands to help tell their stories in meaningful ways. I’m also focused on growing Lindsi Rian Creative, collaborating with more small businesses and creatives who are passionate about what they do. Whether it’s through photography, branding, or storytelling, I want to keep helping people bring their visions to life in an authentic, impactful way.
There are definitely some big goals on the horizon—like touring with more artists, photographing larger festivals, and eventually launching new creative projects that combine my love for visuals and writing. But more than anything, I’m looking forward to continuing this journey surrounded by inspiring people who share the same drive to create and connect.
Contact Info:
- Website: https://lindsiriancreative.com
- Instagram: https://instagram.com/lindsiriancreative
- Facebook: https://Facebook.com/lindsiriancreative
- Other: https://TikTok.com/@lindsiriancreative
