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Rising Stars: Meet MK McCullum of Near downtown

Today we’d like to introduce you to MK McCullum.

Hi MK, please kick things off for us with an introduction to yourself and your story.
Well my love for art began pretty early, shaped by the creative community at my home church Hillcrest Baptist Church in Dyersburg TN and the hand-painted mural of Noah’s Ark that filled the church’s nursery walls. There was something captivating about being surrounded by a story you could step into, and I carried that sense of wonder with me as I grew up drawing and creating.

In high school, that fascination expanded into large-scale work through theater. Directing a team of student artists, I stayed up nearly a week straight(I dont recommend) to paint the entirety of the set for A Midsummer Night’s Dream, transforming the stage into a forested dreamscape. It was there I discovered not just a love for painting, but for building immersive environments that invite people into a narrative.

That passion led me to mural work across local school systems and businesses, where I continued exploring how art can shape spaces and experiences. In college, I pursued a degree in animation, deepening my understanding of movement and storytelling. But despite my love for the medium, I realized I was drawn less to the screen and more to tangible, shared experiences.

That realization found its home in live wedding painting. The moment I discovered it, everything clicked—it combined the energy of performance, the intimacy of human connection, and the storytelling I had always been chasing. It felt like a return to the magic I first experienced as a child: creating something people could witness, feel, and step into.

Today, through Honeysuckle Originals, my work is rooted in capturing the small, fleeting moments that carry the most meaning. Whether through murals, illustration, or live painting, I aim to create art that tells a story—one that lingers, connects, and becomes part of the spaces and lives it touches.

We all face challenges, but looking back would you describe it as a relatively smooth road?
Im lucky to say that I have not struggled with challenges that many artists have faced but, one of the biggest tensions in my work has been the pressure to “niche down.” I understand the value of clarity—of being easily recognizable—but as someone drawn to multiple mediums and evolving subjects, it’s often felt like being asked to choose a single lane when my creativity doesn’t naturally work that way. I’ve had to wrestle with whether growth means refining my voice or quietly reducing it.
I’ve also spent time searching for the mediums and subject matter that feel most authentic to me—what truly holds my attention and continues to inspire me over time. That process hasn’t been linear, but it has been essential in shaping the kind of artist I’m becoming.
The most challenging piece, though, has been navigating the business and marketing side of art especially with the rise of short form media. Visibility often asks for consistency and repetition, and at times that can feel at odds with creative freedom. There’s a subtle pressure to package your work into something easily understood, even if it means sanding down the parts that make it personal.
I’ve wrestled with the idea that in order to be seen, I might have to be simplified. But I’m learning that it doesn’t have to be an all-or-nothing trade. There’s space to build something sustainable while still allowing room for growth, curiosity, and change—and that balance is something I’m continuing to define in my own way.

Thanks – so what else should our readers know about your work and what you’re currently focused on?
When you ask what I am known for as an artist I think different people may tell you different things. I started my proffessional career as an artist almost 10 years ago at the age of 17. I dont know about everyone else but 17 year old me and 27 year old me are very different people.
What I’d like to say I’m best known for now is creating work that lives in the in-between—moments that are often overlooked, but deeply felt. Whether I’m painting live at a wedding, designing a mural, or working on an illustration, my throughline has always been connection: doing my best to understand the people, the story, and the emotional undercurrent of a space or moment.

A big part of what sets my work apart is my ability to step into that space with my clients—to listen closely, interpret what isn’t always easy to put into words, and translate it into something tangible. It’s less about recreating a scene and more about capturing what it felt like to be there.

My nonlinear path has lead me to work across a wide range of mediums, which now allows me to approach each project without a fixed formula. Instead of fitting ideas into a specific style, I can adapt the medium to serve the story. That flexibility makes it possible to take on a wide variety of projects while still keeping the work personal and intentional.

At its core, my work is about creating something that feels both deeply individual and widely relatable—art that reflects a specific story, but resonates beyond it. And my favorite piece? Well…I think it will always be the next one on the easel.

Networking and finding a mentor can have such a positive impact on one’s life and career. Any advice?
“I’m still learning this myself, but I’ve found that the most meaningful guidance doesn’t come from chasing one big mentor—it comes from staying close to people who are creating, being generous with your own process, and letting those relationships grow naturally.
I think as an artist there are four groups of people to keep in your life
1. People who are slightly ahead of you
They offer direction
2. Peers who can come along side you, relate to you and encourage you.
3. People who are behind you just starting their journey to offer you perspective.
4. People who know nothing about art to remind you that to make good art you first have to experience life

Contact Info:

Person with paint-covered hands smiling, hands raised towards camera, background blurred.

Person painting a large, colorful artwork on a wall in an indoor space, with a light fixture overhead.

Decorative text 'Honey Suckle' with floral background of blue and pink flowers and leaves.

A bride and groom stand next to a wedding painting on an easel, smiling indoors with a patterned carpet.

Colorful fantasy landscape with trees, flowers, a stream, a fox, and a statue in a vibrant garden scene.

Young deer with large ears in a colorful, abstract background with text and light effects.

Children playing on a small island surrounded by water, with trees and bushes in the background and a teddy bear in the foreground.

Back of a person with large, detailed feathered wings, facing away, with a textured background.

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